e-mail: norman@CrazyDreamSound.com

Film Sound Design

Norm's films on TV & Video

Directors we wish to work for:
Google

Our Productions: Sound Design by Norman Kern

A dynamic Marlo Thomas keeps things moving in Elaine May one-act premiere
Robert Hurwitt, Chronicle Theater Critic
Excellent Marlo Thomas shines in Moving Right Along
Review by Richard Connema - www.talking Broadway.com
After the Fall Reviewed by David Kashimba
Orson's Shadow Reviewed by David Kashimba
  A Stimulating Production of Orson's Shadow
Review by Richard Connema - www.talking Broadway.com
KILLER JOE
Reviewed by Judy Richter
  A Fascinating Production of Paula Vogel's The Long Christmas Ride Home
Review by Richard Connema - www.talking Broadway.com
Summerland Feels Like Comin’ Home
Review by By Drew VanDyche
Published: May 4, 2006
Excellent
Summerland Reviewed by David Kashimba
  Eugene O'Neill's Desire Under the Elms Has All The Power of a Greek Drama
Review by Richard Connema - www.talking Broadway.com

Smorgasbord of Shorts Reviewed by David Kashimba
  A Clever and Moving Production of Morbidity & Mortality
Review by Richard Connema - www.talking Broadway.com
  A Confused Production of Nero (Another Golden Rome)
Review by Richard Connema - www.talking Broadway.com
Bay Area premiere overflows with sex, blood and laughs
Robert Hurwitt, Chronicle Theater Critic
Excellent

Killer Joe Reviewed by David Kashimba
 

River's End Reviewed by David Kashimba

River’s End is a Challenging Musical Play
Review by Richard Connema - www.talking Broadway.com

  Edna O'Brien's Family Butchers is a Real Irish Dysfunctional Family Drama
Review by Richard Connema - www.talking Broadway.com
River's End
Reviewed by Judy Richter
 
Charlie Cox Runs with Scissors Reviewed by David Kashimba

Picasso at the Lapin Agile Reviewed by David Kashimba

  Michael McKeever’s Charlie Cox Runs with Scissors is a Pleasant Diversion
Review by Richard Connema - www.talking Broadway.com
CHARLIE COX RUNS WITH SCISSORS
Reviewed by Judy Richter
Acting, comic touch keep 'Charlie Cox's' vitals alive
Robert Hurwitt, Chronicle Theater Critic
Excellent
So far, 'Picasso' humor stands the test of time
Reviewed by Pat Craig - CONTRA COSTA TIMES
  Marin Theatre Presents the 50th Anniversary of William Inge's Bus Stop
Review by Richard Connema - www.talking Broadway.com
BUS STOP
Reviewed by Judy Richter
  Bus Stop Reviewed by David Kashimba
 
CCMT captures heart, soul of 'Pacific'
Reviewed by Pat Craig - CONTRA COSTA TIMES
  A Nice Production of Noel and Gertie
at Center REPertory Graced by Two Talented Performers

Review by Richard Connema - www.talking Broadway.com
  Gertie's mad about Noel in Coward-ly revue
Reviewed by Chad Jones

'Noel and Gertie' a solid tribute to two theatrical lives
Reviewed by Pat Craig - CONTRA COSTA TIMES
FORTUNE
Reviewed by Judy Richter
  World Premiere of Deborah Zoe Laufer’s Comedy Fortune is a Fun, Quirky Farce
Review by Richard Connema - www.talking Broadway.com
  Fortune Reviewed by David Kashimba
 

Splendid 'She Loves Me' revival makes for ideal holiday theatergoing
Wednesday, December 8, 2004
By L. Pierce Carson - Register Staff Writer

'She Loves Me'
Napa Rep's second musical is a love story for the holidays

Wednesday, December 1, 2004
By L. Pierce Carson - Register Staff Writer

  S.J. STAGE PRODUCTION OF `WOMAN IN BLACK' GENERATES FEAR THROUGH LANGUAGE, NOT GORE
by Karen D'Souza - San Jose Mercury News

Scare Tactics
Dark tales unfold at San Jose Stage Company's 'The Woman in Black'

by Marianne Messina

Stage Company conjures up scary Christmas tradition

by Heather Zimmerman
  Charles Grodin's The Right Kind of People
Review by Richard Connema - www.talking Broadway.com
  A Charming Production of Tennessee
William’s Summer and Smoke

Review by Richard Connema - www.talking Broadway.com
 
Beggar's Holiday Reviewed by David Kashimba
 
The Complete Works of William Shakespeare, Abridged
Reviewed by David Kashimba
 

Stooges on stage
Wednesday, June 2, 2004
By Sasha Paulsen - Napa Register Correspondent

High speed Shakespeare
Wednesday, May 26, 2004
By Sasha Paulsen - Napa Register Correspondent

  'Cowgirls' know how to spur on a smile
Review by Chad Jones

Pony up the money to see Center Rep's 'Cowgirls'
Review by Georgia Rowe
 
Communicating Doors Reviewed by David Kashimba
COMMUNICATING DOORS
Reviewed by Judy Richter
  Alan Ayckbourn's Communicating Doors is a Tricky Conundrum
Review by Richard Connema - www.talking Broadway.com
'Anna' rides O'Neill's turbulent currents
Anna Christie

Robert Hurwitt, Chronicle Theater Critic
Excellent

Center Rep hits mark with 'Anna'
By Pat Craig
CONTRA COSTA TIMES

  An Intriguing Production of Eugene O'Neill's Anna Christie at Center Rep
Review by Richard Connema - www.talking Broadway.com
Paris apartment stars in French farce that takes soapy turn
Robert Hurwitt, Chronicle Theater Critic
MY OLD LADY
Reviewed by Judy Richter
  A Thoughtful Production of Israel Horovitz's My Old Lady with Three Top Notch Actors
Review by Richard Connema - www.talking Broadway.com

My Old Lady Reviewed by David Kashimba
 

Relatively Speaking
Wednesday, February 25, 2004
By Sasha Paulsen - Napa Register Correspondent

 

Emotional 'Rocket Man' veers off course
Chad Jones, Oakland Tribune
THERE'S something fascinating and compelling about Steven Dietz's 1998 play "Rocket Man," now on stage in Walnut Creek as part of the Center Repertory Company season. --2/12/2004


'Rocket Man' aims high, lands hard
By Pat Craig
CONTRA COSTA TIMES

Dietz's 'Rocket Man' is out of this world
By Pat Craig
CONTRA COSTA TIMES

Pain deep, humor sharp in saga of Schwartz family
Robert Hurwitt, Chronicle Theater Critic
Excellent

The Schwartz household was brought up to believe that nothing is more sacred than family. But for the one-year anniversary of the father's death, a family gathering turns into a free-for-all where nothing remains sacred and the long-held family secrets are unearthed. Tucker plays the role of Herb, one of four Schwartz siblings, who acts as if anything can be bought and sold. Eikenberry plays his wife Bonnie, who converted to Judaism upon her marriage and desperately wants to have a child. This touching and funny play explores the sanctity of marriage and family and asks the question: who will be the last Schwartz?
The title of Deborah Zoe Laufer's "The Last Schwartz" refers to the likelihood that this particular family of New York Schwartzes will not produce a male heir to carry on the family name. A large part of the pleasure in the Marin Theatre Company's West Coast premiere derives from our growing understanding that that's probably just as well.
Starring the popular husband and wife team Michael Tucker and Jill Eikenberry.


The Last Schwartz: Comedy. By Deborah Zoe Laufer. Directed by Lee Sankowich. (Through Feb. 8. Marin Theatre Company, 397 Miller Ave., Mill Valley. Two hours. Tickets $28-$45. Call (415) 388-5208 or visit www.marintheatre.org).

  The Last Schwartz is a Poignant Comedy Drama of a Disfunctional Jewish Family
Review by Richard Connema - www.talking Broadway.com

The Last Schwartz Reviewed by David Kashimba
 

Drama unfolds like house of cards
By Pat Craig
CONTRA COSTA TIMES

 

Dysfunctional ‘Schwartz’ family falls not so far from home
By Dan Pine
the Jewish news weekly of Northern California

 

Family unravels in Marin production
by David Wiegand
Wednesday, October 8, 2003
Marin Theatre Company has added its third production of the season, the West Coast premiere of "The Last Schwartz" by Deborah Zoe Laufer.
The play, which will star Michael Tucker and Jill Eikenberry, focuses on the Schwartz household, which was brought up to believe that nothing is more sacred than family. But a family gathering for the one-year anniversary of the father's death turns into a free-for-all in which nothing remains sacred and long-kept family secrets are unearthed. Lee Sankowich will direct the production, which goes into previews Jan. 8 and runs through Feb. 8.

 

Bay Area theater offers both traditional, alternative yule shows
By Pat Craig
CONTRA COSTA TIMES

 

Molière's 'Tartuffe' at Napa Rep is filled with wit and intrigue
Wednesday, December 10, 2003
By Sasha Paulsen - Napa Register Correspondent

 

'Tartuffe' transcends the centuries and lands in Hollywood
Wednesday, December 3, 2003
By LISA A. WALTER - Special to the Register

 

Don't miss "1776"
September 24, 2003
Founding fathers sing and dance
Wednesday, September 24, 2003
By SASHA PAULSEN - Register Features Editor
Napa Rep at home in Opera House for "1776"
Wednesday, September 17, 2003
By LISA A. WALTER - Special to the Register
Am Can students raise field trip funds -- artfully
Saturday, September 13, 2003
By SCOTT HANKINS - Register Correspondent
'1776': Napa Valley Rep breathes life into history
Wednesday, September 10, 2003
Valley thespians are setting the stage for '1776'
Saturday, August 23, 2003
CATHY VITELLI - Napa Register Staff Writer
Napa Rep seeks support for students to see '1776'
Wednesday, July 9, 2003
Napa Register Staff Writer

 

The Countess' is a royally entertaining look at an imploding marriage
Chad Jones, Oakland Tribune
THERE'S a delicious satisfaction in knowing "The Countess," the season opener for Walnut Creek's Center Repertory Company, is based on a true story. Of course playwright Gregory Murphy has used some creative license in imagining what really went on between celebrated art critic and author John Ruskin and his wife Euphemia. -- 9/23/2003

MUCH ADO ABOUT RUSKIN
CENTER REPERTORY COMPANY opens its new season this week with "The Countess," a drama that takes us back to the days when affairs were fabulously scandalous, instead of just scandalous. The play revolves around the Victorian-era love triangle of famed art critic John Ruskin, his young wife, Effie, and artist John Everett Millais. The Center Rep production stars Jessa Berkner as Effie, Nick Sholley as Millais (both pictured) and Brian Keith Russell as Ruskin. The play is being helmed by acclaimed Bay Area director Domenique Lozano.

"The Countess" plays in preview at 8 tonight, opens 8 p.m. Saturday and runs Wednesdays-Sundays through Oct. 11 at the Dean Lesher Regional Center for the Arts, Civic Drive at Locust Street, Walnut Creek. Tickets are $11-$29. Contact 925-943-SHOW or www.dlrca.org.

Center Rep presents "The Countess"
Rossmoor News - Walnut Creek

  Me and My Girl is a Happy Show at Marin Theatre
Review by Richard Connema - www.talking Broadway.com

Me and My Girl Reviewed by David Kashimba
 

Marin Theatre Company: Me and My Gril Review from San Francisco Chronicle

 

Pygmalion Reviewed by David Kashimba

Theatre Review: Pygmalion and Impossible Marriage
Rossmoor News - Walnut Creek

Center Rep presents "Pygmalion" at Regional Center
Rossmoor News - Walnut Creek

Shaw's 'Pygmalion' still offers grins, grit
Chad Jones, Oakland Tribune

 

'Pygmalion' doesn't need music to sing
Pat Craig, Contra Costa Times

 

Review from San Francisco Chronicle

 

'On the Verge' is hilarious, marvelous journey into an unknown land, the future
Wednesday, May 28, 2003
SASHA PAULSEN - Napa Register Correspondent

"On The Verge," is performed at the theater in the round at the Native Sons of the Golden West, 937 Coombs St. (near the corner of First Street) in Napa. Performances continue through June 8, on Friday and Saturday nights at 8 p.m., and on Sundays at 2 and 7 p.m. There will be one show at 7:30 p.m., Thursday, June 5, and no 7 p.m. show on June 8. Tickets are $25 in advance, $28 at the door (a $2 discount is offered for seniors) and $10 for students. A 20 percent discount is offered for groups of 10 or more. For group sales call Karen Hackett at 310-0306. For other tickets or information, call 253-7893, or visit www.naparep.com

   
  Marin Theatre Company Brings Back the '50s in Martin Duberman’s Visions Of Kerouac
Review by Richard Connema - www.talking Broadway.com

I was privileged to meet both Kerouac and Allen Ginsberg in the mid fifties here in San Francisco . . . and saw the souls of both of these men up there on the Marin Stage, especially Liam Vincent as the cuddly Allen Ginsberg.

The first act of the drama is a gem. The ensemble work of the actors is exciting and timing is perfect. Liam Vincent as Allen Ginsberg is a loveable teddy bear who loves everyone, Rod Gnapp as Neal Cassady is electrifying as the fast talking ex-con and ladies’ man. (Neal later became the hero in Kerouac’s On the Road)

The last scene (second act) with Michael Janes (Kerouac) on stage is also superb. His (Kerouac’s) whole life is crashing in on him and he contemplates his life, his sexuality, his "love" of Neal, his Catholic guilt and his bonding with a group of the young writers. This is acting at its best!

'Kerouac' goes off the road - Revival of L.A. hit is helped, hindered by Bay Area's familiarity with the Beats
Robert Hurwitt, Chronicle Theater Critic
Excellent

Martin Duberman's 25 year-old-play is an often gripping, 2 1/2-hour portrait of the artist disintegrating in angry alcoholism and an inability to love that fails to depict the significance of Jack Kerouac or the Beats. Michael Janes gives a heroic performance as Kerouac and his troubled, tangled relationship with Allen Ginsberg and Neal Cassady is well portrayed in Lee Sankowich's deft revival, but the audience has to supply the context.

Visions of Kerouac: Drama. By Martin Duberman. Directed by Lee Sankowich. (Through June 8. At the Marin Theatre Company, 397 Miller Ave., Mill Valley. Two hours, 30 minutes. Tickets $25-$43. Call (415) 388-5208 or visit www.marintheatre.org).

 
KGO Entertainment - Jerry Friedman

". . . an in-depth look at his (Kerouac’s) movement of music, poetry, writing, art, discussion, spiritual freedom and anti-establishment . . .an excellent cast of twelve with extraordinary performances by Rod Gnapp as Neal Cassady and Michael Janes as Jack Kerouac. It’s quite a trip.

San Francisco Chronicle — Robert Hurwitt "Clapping Man"

It’s a topic that seems like a natural for Bay Area audiences, given not only the continued fascination with the Beats but also the depth of Beat history here. . . . Janes (gives a) vivid, heroic, exhausting depiction of Kerouac.

BLUE SURGE
Reviewed by Judy Richter
  Magic Theatre Production of Rebecca Gilman’s Blue Surge, a Wonderful Complex Play
Review by Richard Connema - www.talking Broadway.com
 

'Surge' scores high by going low
Pat Craig, Contra Costa Times

 

Reviews from Oakland Tribune Murcury News Contra Costa Times

Comfort, discomfort of 'Surge's' strangers
Robert Hurwitt, Chronicle Theater Critic
Classic
RATING: (Wild Applause) Blue Surge: Drama. By Rebecca Gilman. Directed by Amy Glazer. (Through April 20. At the Magic Theatre, Building D, Fort Mason Center, San Francisco. Two hours. Tickets $17-$37. Call (415) 441-8822 or visit www.magictheatre.org).
SYNCOPATION
Reviewed by Judy Richter
  West Coast Premiere Of Allan Knee’s Syncopation
Review by Richard Connema - www.talking Broadway.com
 

Syncopation - Uncomplicated, Heartwarming

 
Syncopation: Drama. By Allan Knee. Directed by Eleanor Reissa. (Through April 13. At the Marin Theatre Company, 397 Miller Ave., Mill Valley. Two hours, 10 minutes. Tickets $25-$43. Call (415) 388-5208 or visit www.marintheatre.org).
 
Allan Knee's play is about rhythms and dreams. It explores the rhythms of an evolving relationship, where partners are not quite in sync. It examines the power that dreams have to lift people from stultifying routine to endless possibility.
 


Charles Brousse - Marin Independent Journal

 
Some plays are written to fit a particular historical context, such as the light comedies that flourished in London during World War II's bombing blitz. Others happen to be in step with events and are propelled by that chance connection. The latter probably explains why Allan Knee's 'Syncopation' is likely to send audiences out the doors in a happier mood than when they entered. . . 'Syncopation's' good-humored simplicity casts a warm glow that reaches from the stage right into our hearts.
 


Lee Brady - Pacific Sun

 
Marin Theatre Company's Syncopation is Romeo and Juliet with a happy ending; It's the Odd Couple with a romance. It is a quiet thoughtful and pleasing production of author Knee's fable of another time, another city.
 


Robert Hurwitt - San Francisco Chronicle Theater Critic

 
Allan Knee's 'Syncopation' is charming and amusing. . .Through a succession of short scenes alternating with diary-entry monologues, Knee traces Henry and Anna's developing proficiency and intimacy over the course of a year against suggestions of a backdrop of the feminist, socialist, bohemian and labor rights turmoil of the times.
 

Syncopation Reviewed by David Kashimba

Marin Theatre Company: Syncopation Review from San Francisco Chronicle
Special offer for live Theatre--and it's a show about dance!

 

Center Rep presents "A Christmas Carol"
Rossmoor News - Walnut Creek

A Christmas Carol
Rossmoor News - Walnut Creek

A Christmas Carol Reviewed by David Kashimba

  Looking for quality? This is 'The Real Thing'
Wednesday, March 5, 2003
DON LIPPER - Napa Register Correspondent
   
  Napa Rep looking for 'The Real Thing'
Wednesday, February 26, 2003
DON LIPPER - Napa Register Correspondent
   
'The Chosen' explores depths of men's bonds
Robert Hurwitt, Chronicle Theater Critic
Excellent
RATING: (POLITE APPLAUSE)...
THE CHOSEN: Drama. By Chaim Potok and Aaron Posner. Directed by Aaron Davidman. (Through Feb. 16 at A Traveling Jewish Theatre, 470 Florida St., San Francisco. Feb. 20 through March 2 at the Julia Morgan Theater, 2640 College Ave., Berkeley. Two hours, 10 minutes. Tickets $12.50-$25. Call (415) 399-1809 or visit www.atjt.com).
  Napa Repertory Theatre takes a 'Holiday'
Wednesday, December 4, 2002
DON LIPPER - Napa Register Correspondent
 
"Holiday," directed by Domenique Lozano, features Michael Barr, Anna Carminito, Lisa de Bruin, David Warren Keith and Melissa Smith. The play runs Dec. 6-22, on Fridays and Saturdays at 8 p.m., Sundays 2 p.m. and 7 p.m. with a special show at 7:30 on Thursday, Dec, 19. Call 253-7893 to reserve tickets. Prices are $23 - $28. The play is performed at the Native Sons of the Golden West Hall, 937 Coombs St. (between First and Second Streets), Napa.
A little bit of 'Wonderful'
Marin Theatre Company show is hard to resist

Robert Hurwitt, Chronicle Theater Critic
Excellent

REVIEW: (POLITE APPLAUSE)...
WONDERFUL TOWN: Musical. Book by Joseph Fields and Jerome Chodorov. Lyrics by Betty Comden and Adolph Green. Music by Leonard Bernstein. Directed by Lee Sankowich. (Through Dec. 8. At the Marin Theatre Company, 397 Miller Ave., Mill Valley. Two hours, 35 minutes. Tickets: $25-$43. (415) 388-5208, www.marintheatre.org).

WONDERFUL TOWN
Reviewed by Judy Richter
  An Excellent Revival Of Wonderful Town
Review by Richard Connema - www.talking Broadway.com
 

Be afraid, be very afraid of 'The Woman In Black'
Wednesday, October 23, 2002
By DON LIPPER - Napa Register Correspondent
A thriller from Napa Rep, just in time for Halloween
Wednesday, October 16, 2002
By DON LIPPER - Napa Register Correspondent

 
"The Woman in Black" plays at the Native Sons Hall at 937 Coombs St., between First and Second streets in downtown Napa. Due to its frightening nature, it is not recommended for children under 13 years of age..
Preview: Friday, Oct. 18, 8 p.m. (All seats $20). Performances: Oct. 19-Nov. 3, Fridays and Saturdays at 8 p.m. Sunday, Oct. 20 and 27 at 2 and 7 p.m., Nov. 3 at 2 p.m. Special Halloween show, Thursday, Oct. 31 at 7:30 p.m., $25 in advance/$28 at the door Sudents/children $10 at the door. $2 discount for seniors. Please call (800) 557-NVRT for tickets. For more information, visit www.naparep.com.
'Music' soothes, heals
Art's power comes through in Marin play
Robert Hurwitt, Chronicle Theater Critic
Excellent
REVIEW: (POLITE APPLAUSE)...
THE MUSIC LESSON: Drama. By Tammy Ryan. Directed by Amy Glazer. (Through Oct. 6. At the Marin Theatre Company, 397 Miller Ave., Mill Valley. Two hours, 15 minutes. Tickets: $25-$40. Call (415) 388-5208 or visit www.marintheatre.org).
THE MUSIC LESSON
Reviewed by Judy Richter
 

The Music Lesson Reviewed by David Kashimba

The Music Lesson
Review by Richard Connema - www.talking Broadway.com
  True grit for young actors
ACT program's provocative 'Dust' pulls no punches
Robert Hurwitt, Chronicle Theater Critic
 
DUST: The ACT Young Conservatory's New Plays Program production of Sarah Daniels' work runs through Sunday at the Zeum Theater at Yerba Buena Gardens, Howard and Fourth streets, San Francisco. Tickets: $10-$15. Call (415) 749- 2228 or visit www.act-sfbay.org.
'Seesaw's' timeless back-and-forth
1958 Broadway hit retains relevance

Robert Hurwitt, Chronicle Theater Critic
Excellent
REVIEW: (POLITE APPLAUSE)...
TWO FOR THE SEESAW: Drama. By William Gibson. Directed by Domenique Lozano. (Through June 9. At the Marin Theatre Company, 397 Miller Ave., Mill Valley. Two hours, 45 minutes. Tickets $25-$40. Call (415) 388-5208 or visit www. marintheatre.org
TWO FOR THE SEESAW
Reviewed by Judy Richter
  The Marin Theater Company Presents Two for the Seesaw
Review by Richard Connema - www.talking Broadway.com

Two For The Seesaw Reviewed by David Kashimba
'Lady' not quite glorious -
But lead actress soars at Marin Theatre

Robert Hurwitt, Chronicle Theater Critic
Excellent
RATING: (POLITE APPLAUSE)...
LADY IN THE DARK: Musical. Book by Moss Hart. Music by Kurt Weill. Lyrics by Ira Gershwin. Directed by Lee Sankowich. (Through Dec. 9. At the Marin Theatre Company, 397 Miller Ave., Mill Valley. Two hours, 45 minutes. Tickets $24-$40. Call (415) 388-5208 or visit www.marintheatre.org).
LADY IN THE DARK
Reviewed by Judy Richter
 

Marin Theatre Presents Lady in the Dark
Review by Richard Connema - www.talking Broadway.com

Lady In The Dark Reviewed by David Kashimba

 
MOVING BODIES: Comic fantasy. By Arthur Giron. Directed by Lee Sankowich. (Through Oct. 21. At the Sali Lieberman Studio Theatre, Marin Theatre Company, 397 Miller Ave., Mill Valley. Two hours, 20 minutes. Tickets: $20. Call (415) 388-5208 or visit www.marintheatre.org

 

Steven Winn - San Francisco Chronicle Theater Critic

 
From Galileo to Buckminster Fuller, scientists have shown playwrights new ways of imagining the universe. In "Moving Bodies," which opened Monday at the Marin Theatre Company's Sali Lieberman Studio Theatre, Arthur Giron takes on the fascinating and eccentric physicist Richard Feynman.
 

A Good Production of Moving Bodies
Review by Richard Connema - www.talking Broadway.com

Moving Bodies Reviewed by David Kashimba

 

Techies Conjure Ghostly Effects for Marin Theater Play -
Team's tricks add character to `Woman in Black'
by Tricia Cambron
Kristine Ann Lowry says she has always had great respect for the technical directors in live theater...
''Woman in Black'' opens May 9 and continues through June 4. Performances are 8 p.m. Wednesday through Saturday; 7 p.m. Tuesdays; 2 and 7 p.m. Sundays and Thursdays (1 p.m. matinees, May 18 and 25). Marin Theatre Company, 397 Miller Ave., Mill Valley. $24-$40, seniors half price on Thursdays. (415) 388-5208.

THE WOMAN IN BLACK
Reviewed by Judy Richter
  Great Acting Saves Woman in Black
Review by Richard Connema - www.talking Broadway.com

AmericanTheaterWeb Reviews